Eden Valley Riesling producers have launched a proprietary bottle, embossed in the same vein as Chateauneuf du Pape. And the first vintage using this bottle - 2011 – is hitting shelves now.
The green flute has a symbol on the front representing the rolling hills of the Eden Valley and the region’s name is also embossed. It gives the region’s wines much better on-shelf presence and gives confused consumers a better idea what to expect if they’ve tried an Eden Valley Riesling before.
While it’s early days for the bottle, the region’s two biggest producers, Yalumba and Peter Lehmann, have not come on board for the first release. The price per bottle - some quote 90 cents, others more, others less - is perhaps a little high, particularly in the current economic climate when producers are looking to cut costs. However, a special mould had to be created to produce the bottles hence the high cost. What’s more, the Eden Valley is not a mass producer so the economy of scale is certainly not there to bring costs down.
Yalumba’s Louisa Rose, explains their decision. “The issue for us is that it’s quite expensive and our brands are much bigger than most. It’s a commercial decision at the moment but I think it’s a great idea.”
And Ian Hongell, winemaker at Peter Lehmann, adds “We are not using the Eden Valley bottle because we have our own proprietary bottle.”
Yet, if the biggest producers came on board, they would have the economy of scale, and the project would have more clout.
One of the area’s most renowned producers, Henschke, has bottled its 2011 Julius Riesling in the proprietary bottle but Stephen Henschke admits, “Not enough are using it but I think more people will be influenced to start.”
I certainly hope more producers do come on board. It is a small region that is technically part of the Barossa zone and there is very little awareness of the area.
Thus far the Clare Valley has achieved a higher profile status for its Rieslings but with greater unity and widespread adoption of this bottle, there is an opportunity for the area to become known as the premium Australian Riesling region. It should take a leaf out of Central Otago’s book, which has become known as the leading new world Pinot Noir producer through its collaborative marketing efforts.
There is a real opportunity for the region: Eden Valley Rieslings offers fresh wines that are clean and modern, and would suit the current consumers’ appetite for vibrant, unoaked styles. With moderate alcohol levels (12-12.5%), lemon, lime and lavender aromatics, they would appeal to a wide audience.
Yet it is relatively unknown: as part of the Barossa, it often gets overshadowed by its bigger brother. The proprietary bottle is a good start to increase its recognition, but it shouldn’t stop there.
*Packaging manufacturer Amcor produces the proprietary bottles. I have contacted them, asking for details on production costs, price per bottle and units sold thus far but they have not responded to my calls.
Consumers rightly concerned about lower alcohol wines
Wednesday 14 September
New research suggests the wine industry needs to address concerns about the quality and taste of lower alcohol wines if it is to attract more consumers to the category.
According to the study, commissioned by the UK’s Wine and Spirit Trade Association (WSTA), consumers are reticent about buying low alcohol wines, and I can’t say I blame them. The majority of low alcohol wines, German Rieslings excluded, are lacklustre. The consumer wine media has bagged most of them so it’s not surprising drinkers aren’t keen to try them.
The key findings were: 55% of red wine drinkers (51% of white wine drinkers) said they had concerns about the taste of lower alcohol wines while 41% of red wine drinkers (36% of white wine drinkers) had concerns about the product quality of lower alcohol wines
Jeremy Beadles, WSTA chief executive, says “While there’s plenty of evidence to suggest consumers are interested in lower alcohol drinks these findings suggest there’s work to do to convince drinkers about the taste and quality of products coming onto the market.”
I have not yet found one exciting wine that has been through an alcohol reduction process such as spinning cone or reverse osmosis and, winemakers need to address this problem. I suggest you either drink one glass fewer or drink Moscato d’Asti, German Riesling, Hunter Valley Semillon or Vinho Verde if you want to reduce your alcohol consumption.
Unfortunately, these wines are deeply unfashionable, and not particularly easy to understand for the average wine drinker. Residual sugar (Asti, German Riesling) or searing acid (Hunter Valley) makes most gluggers turn their nose up at them. But until the standard of the ‘low alcohol’ products coming on to the market improves, that’s the best low alcohol solution.
The findings emerge from the YouGov Omnibus Panel (August 2011) and are based on a sample of 1,693 British adult drinkers.
The latest figures from the UK show the average price of a bottle of wine from its 10 major wine supplying-countries has risen across the board. Shock horror, even unfashionable Germany has managed a price increase!
Cause for celebration? On the surface, yes. It suggests the consumer is trading up, willing to spend more but look deeper and things aren’t as rosy as they first appear.
The average bottle price of a New Zealand wine is up from £6.01 to £6.07 per bottle in the UK off-trade, Australia has seen a 13 pence increase to £4.72 while the average price of a South African wine is up 40 pence to £4.39.
However, increased duty charges and a weak British pound vs. most currencies suggest that the increased costs in the value chain are not being passed on in full. Customers are paying a bit more for wine but it appears that it is suppliers that have to absorb most of the cost increases. This is a problem for profitability.
In South Africa, Australian and New Zealand, strengthening currencies and duty rises meant existing prices were unsustainable. In some instances average bottle prices have increased but total sales have fallen. South African sales have dropped by 15% in value in the past 12 months and 22% by volume.
Australia and New Zealand have increased sales volumes but how much of that is sold at huge discount, bulk shipped and made into supermarket brands? According to Wine Australia, in the past year 47% of all wine shipments from Australia were bulk not bottled. Is this a sign of Australia’s economic credentials (bulk shipping has a lower carbon footprint than shipping in bottle) or is it a consequence of its massive oversupply problems?
What is clear is that consumers are being forced to pay more for their wine in the UK, producer margins continue to be nibbled away. Profitability has to come before volume sales if wineries are to survive. But, as South Africa has witnessed, there’s only so much people are willing to pay.
Consumers know Marlborough makes high quality, easy to drink Sauvignon Blanc but if you asked consumers to point to it on a map, it would be a pin the tail on the donkey exercise.
The latest research on the significance of region of origin by Wine Intelligence shows that at mainstream price points (£4 to £4.99) Marlborough, the Barossa Valley and Napa all feature in the top five regions from which UK consumers say they are likely to buy wine. Marlborough and the Barossa are still among the top choices when the same question is posed for purchases of £8 and above. So far so good.
Although prompted awareness of Marlborough is relatively low, consumers have a favourable view of New Zealand and say Marlborough wines are high quality, easy to drink and often recommended by friends. They are also more likely to be available in casual restaurants.
Research director Jean Philippe Perrouty said: “Bordeaux and Burgundy are known by 90% of UK consumers but only one in four or less say they would buy it. UK consumers say they are more willing to buy Marlborough, Rioja or Barossa - if they have heard of them - than Bordeaux or Burgundy. These wines have been able to create the perception of affordable quality.”
Still so far so good.
However, when it comes to knowing where Marlborough is or what the region is like, you’ll get a blank look. Many US consumers associate cigarettes with the region. How positive. Nevertheless it’s a similar story for Chianti, which conjures up images of Italy, red and Hannibal Lector.
Beyond country of origin, it seems most regions are failing to portray an effective image.
So where now?
Tourism is key. If you can get people to visit, they become ambassadors for the region. And it just so happens 85,000 people are heading this way for a few rugby matches in September.
Longer term, Marlborough should be shouting to the rooftops about tourism and food. The Marlborough Sounds are breathtaking, tell people about them. There’s great walking, mountain biking, and fishing on your doorstep. Plus, there are a wealth of artisan producers, from oyster farms, to pine nut orchards and cheese makers.
The Barossa has employed the skills of Paul Henry, ex general manager Wine Australia, to educate consumers that there’s more to the South Australian region than burly Shiraz. Perhaps Marlborough should be doing the same.
Matt Thomson, globe trotting winemaker, joins me to discuss New Zealand wine, his love of kayaking and who he would go gay for. Plus a funny out-take at the end…
I heard the name Matt Thomson everywhere but he’s a difficult man to pin down, taking 170 flights a year.
Being a consultant winemaker in Marlborough, I was keen to pick his brain on its Pinot Noir, as I’ve been largely unimpressed with the region’s offerings thus far.
He is quick to defend Pinot Noir in Marlborough. “I find it really frustrating. If you look historically at what the region has won in terms of trophies for our Pinot Noirs, we have done better than other regions.”
But what about structure? Isn’t the region lacking a bit in its Pinots? “I think New Zealand Pinot Noir lacks structure,” he admits.
Perhaps it’s a soil thing, or maybe it’s vine age or climate…
Stem trials
Here’s where I get technical…Some winemakers are getting more structure by adding stems to the ferment. I like this. It adds a bit of chew and a linear finish, plus gives the wine more longevity. “As a component, get the level right and the wine sings,” says Thomson.
Not that everyone can do this successfully, however. Add too many stems, or if they aren’t ripe, you’ll get a green, sappy character in the wine. If you’ve ever chewed on a grape stem, you’ll know what I mean. It’s pretty unpleasant.
The problem is stems in Pinot Noir struggle to get ripe – what’s called lignification. By the time your stems lignify in Pinot, your fruit is overripe and knackered. Throughout New Zealand, there appears to be a struggle to get stems ripe. Some say it is a climate thing, others think it is clonal thing, while there’s the argument it could be a vine age thing. Which, leaves me very confused. But then again, there’s very rarely a definitive answer in the wine industry.
If anyone would like to offer their views, I’d be interested…